Noumenon, by Marina J. Lostetter

The future is here and all the social progress we could ever have hoped for has arrived, nations are working together, and they are sending humanity to the stars.  PhD candidate Reggie Straifer has discovered an odd star, hundreds of light years away, and somehow managed to convince the powers that be to devote untold resources to sending humans out to study it, using a subdimensional drive that allows ships to travel much faster than the speed of light.  A hundred odd years of space travel for the convoy will be over 2,000 years for those back home, but that’s how progress happens–by slow leaps and bounds.

This book, though it’s been compared to Arthur C. Clarke (whom I’ve not read a scrap of) reminded me most of Emma Newman’s recent work in Planetfall and After Atlas, all three novels being confident enough in their storytelling to move beyond the how of interstellar travel to the who–who goes, who stays, and what happens to them in the meantime.  The sociological impact of putting a 10,000 clones on a nine-ship convoy heading to an abnormal star is what’s really at stake in Noumenon–an aptly titled novel in many ways, not least of which because it is a novel of speculation.  We’ll never know what could happen in a century ship until it does, but taking a look back at human history gives us a pretty good idea of what could.

Individually, Noumenon is told in a series of vignette chapters which skip forward in time, sometimes featuring different versions of the same clone, sometimes showing a different perspective altogether.  Each person was chosen for the mission based not only on intellectual capabilities, but their ability to pass a series of psychological checks that indicate they will have the necessary empathy and emotional stability to make the mission a success.  In many ways, Noumenon is the closed room of human development, a mystery that won’t be solved until the mission is over and their findings disseminated to the future owners of earth.

The stories told in Noumenon are by turns inspiring, comical, heartbreaking, and, in the end, cathartic.  Though I was occasionally unsure of some representations of injustice and racial or ethnic identities, this novel mostly lived up to its intentions, presenting a thoughtful look at what could be, and that which can never be fully understood about humanity.

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August 2017 Library Checkouts

It’s September, and another month of reading has faded into the past.  Here’s what I checked out from my local library system in August.  I also read a few ARCs, or at least started a few, and maybe I’ll get around to talking about them.

I checked out and listened to all four books in Gail Carriger’s Finishing School series through my library system’s Overdrive service.  They were fun and irreverent, and I’d definitely listen to at least four more of them!

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I also finished up Alan Bradley’s Flavia de Luce series (for the second time), also on Overdrive, and am avidly looking forward to the next book in the series.

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As far as the read word, I checked out (and finished) Noumenon, by Marina J. Lostetter, The Fifth Season, by N.K. Jemisin, Upgraded, a short fiction collection edited by Neil Clarke, and The Queen of Blood, by Sarah Beth Durst.  That novel certainly takes the cake for most fascinating fantasy world that I’d never want to live in!

It Takes Two: Socially Critical SFF

Today on It Takes Two we’re going to talk about two recent novels which are, from the outside, very different–one is a second world fantasy with characters who are able to manipulate the mineral makeup of the earth upon which they live, while the other is a near-future science fiction story about clones going forth in a generation ship to investigate a strange, recently-discovered star–but which keep coming back to similar commentaries about the current state of our world, and in particular the United States.

I’m talking, of course, about N.K. Jemisin’s The Fifth Season, first in her Broken Earth trilogy, and Marina J. Lostetter’s Noumenon.  Now, I understand that Noumenon is a relatively new release, so spoilers beware and all that.  But that’s pretty much par for the course for this blog series, anyway.

The Fifth Season deals with a society in which certain people, called orogenes, can manipulate the earth–quell earthquakes, move rocks, detect sound and vibrations–and who have been classes as subhuman and made into slaves to the rest of the empire because of it.  Another group, known as the Guardians, have been technologically modified to detect and control orogenes, and they move through the empire seeking out orogenes as children to be trained or hunting down adults who have somehow escaped notice in the past.  The rest of the world goes about life, benefiting from the labor of enslaved orogenes, not even thinking about the mental gymnastics required to justify keeping other humans penned like particularly useful cattle, and generally not wanting to know about the real conditions orogenes must live under.

In Noumenon, on the other hand, a hand-picked crew has left earth aboard a nine-ship convoy, all clones of their originals who had particular aptitude and skill in one area deemed necessary for the success of the mission.  However, halfway to the star–nearly 100 years after setting out in sub-dimensional travel–a small contingent, convinced that using clones who have no choice but to be aboard, and whose lives are artificially constricted by the material needs of the convoy, attempt to stage a mutiny and turn the convoy around.  In the aftermath of the event all the clone lines who participated in the mutiny are discontinued–never brought to adulthood again, until catastrophe strikes and the convoy must stop its homeward journey to mine an asteroid and build a new ship.  Then the discontinued lines are brought back, but this time to be miners–effectively slaves, and held segregated from the rest of the convoy.  Even after the mining is over and the convoy resumes its journey, the discontinued lines are forced to wear different clothing and work in menial jobs like janitorial, never allowed close to power or high-skilled work again.

Both these novels, then, deal with the concept of hereditary slavery based upon particular, recognizable traits used to dehumanize their victims.  While each goes about it somewhat differently, they are each a finger pointed at the chattel slavery system upon which the United States was built, using nothing but skin color to justify enslaving, disenfranchising, and murdering millions of people.  While in the Broken Earth world it’s clearly stated that being an orogene is not an inherited trait, the children of orogenes usually end up enslaved whether or not they share their parents’ ability; known orogenes who have been trained by the Fulcrum–the center of power and effective school for orogenes–are forced to wear a distinctive black uniform that is recognized anywhere in the empire.  The mere fact that people who share this distinctive ability are the only slaves in the empire is enough of a reference to the African slave trade in the Unisted Stetes.

Among the convoy in Noumenon, genetics are everything.  People grow up knowing what line they are part of, what they were grown for, and how they fit into the greater whole.  They also wear colored jumpsuits to denote their specialization, so when the discontinueds are brought back and forced to wear all-white jumpsuit, their second-class status is further enforced, because anyone else can tell at a glance that they are from lines heretofore considered subhuman and a liability to the convoy.  The parts of the novel that deal with asteroid mining are particularly gruesome as well, as all the mine worker lines are given only serial numbers and are overseen by enforcers who whip and threaten them, and even have the power to kill them on a whim.

While neither of these novels is explicitly about slavery and attempting to draw sff parallels, both accomplish incisive critiques of a modern United States that still has yet to reckon with its history of hereditary chattel slavery and the ways in which Africans were dehumanized in order to justify enslaving them.  They are each well-crafted stories in their own right, with fully realized world building and compelling characters.  Come for the awesome SFF, stay for the social critique.