SFF Books of 2017 I’m Excited to Read

Bear with me, these may not all be from this year, but I’m still excited for them!  I’m really bad with deadlines/pub dates.

  1. The Ship Beyond Time, by Heidi Heilig

The characters of The Girl From Everywhere really stuck with me, and I loved the way she plotted this time travel fantasy (I’m kind of a sucker for time travel), so I will definitely be checking out this sequel.  Plus the cover art!

2. All Systems Red, by Martha Wells.


This novel has gotten awesome reviews from SFF fans I trust.  Plus it’s got robots, in space, with snark.  What’s not to love?

3. Provenance, by Ann Leckie.


I finally acquired Ancillary Sword, which I mean to read soonish, and I loved Ancillary Justice for more reasons I can express in this teeny space, so anything she writes is on my auto-TBR list.

4. Amberlough, by Lara Elena Donnelly.


This novel makes me think fantasy noir roaring twenties.  It came out early in the year, but crops up on my Twitter feed from time to time, and every time I’m reminded I need to read this novel!

5. The Stone in the Skull, by Elizabeth Bear


Bear is one of my favorite authors, in any genre, and this novel is set in the same world as the Eternal Sky trilogy, only taking place in a different kingdom.  Her superior skill with narrative and character make Bear both versatile and readable, as she’s published in multiple sub-genres, both in short and long fiction formats.


So that’s just a taste of what I’m looking forward to reading from this year.  I’m sure I’ll have plenty  more to add to this list before the year’s out!

The SEA is Ours: Tales of Steampunk Southeast Asia, edited by Jaymee Goh and Joyce Chng

is about finding that fascinating intersection between fantasy and science
fiction, where futuristic technology not only meets, but becomes, magic—animals
fused with robotics, working airships, myths embodied in a mystical combination
of art and science.  The SEA is Ours is about bringing
together the already wide world of steampunk with the wonderfully diverse and
vivid Southeast Asian worlds imagined by authors from that region.  For anyone who is used to thinking of
steampunk a la Scott Westerfeld, Cherie Priest, or Elizabeth Bear, The SEA is Ours makes no bones about its
de-centering of Europe and the U.S., and its stories’ reliance on regional
history and myth with little introduction for the outside reader.  And it does all of this while collecting
well-written stories from a wide range of perspectives.

stories in this collection hail from the Philippines, Thailand, Malaysia,
Vietnam, and more.  From Marilag
Angway’s “Chasing Volcanoes,” about an airship that refuels via active
volcanoes in the Philippines and takes on an unexpected cargo, to Alessa
Hinlo’s folklore-inspired tale of European encroachment into the Philippines in
“The Last Aswang,” to Olivia Ho’s noir gears and gadgets story that brings to
mind an urban Frankenstein in “Working Woman,” this collection has something
for everyone who loves steampunk or myth or both at the same time. 

The SEA is Ours writers take on
themes often applied to the region on their own terms, exploring fantasies of
flight, the clash of worlds, past lives, and ideas of progress.  Many of the stories use personal
relationships, particularly siblings, to explore the duality of nations
struggling to define themselves while being subject to decades, and even
centuries, of outside pressure.  In
“Between Severed Souls,” Paolo Chikiamco imagines one family’s struggle to
right the perceived wrongs of history projected onto the greater history of
Spanish imperialism in the Philippines, where technology and folklore come
together in the life of an artist who has lost his wife, and allow him to
confront the past in these many layers. 

stories in this collection, though, are as vibrant and varied as their sources
and the people they represent, and imagine a strong history and stronger future
for the region.  Any reader used to
United States or European-centered steampunk should definitely check out this
collection for a new take on an endlessly varied subgenre.  Readers interested in the intersection
of science fiction and folklore will definitely enjoy the stories in The SEA is Ours, while those who like to
see representation of many types of diversity will enjoy this collection’s
inclusion of not just cultural, but ability and gender diversity as well.